Showing posts with label Sherman Alexie. Show all posts
Showing posts with label Sherman Alexie. Show all posts

The Journey

Mary Oliver


One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice --
though the whole house
began to tremble
and you felt the old tug
at your ankles.
"Mend my life!"
each voice cried.
But you didn't stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do --
determined to save
the only life you could save.

My Heroes Have Never Been Cowboys

Sherman Alexie


1.
In the reservation textbooks, we learned Indians were invented in 1492 by a crazy mixed-blood named Columbus. Immediately after class dismissal, the Indian children traded in those American stories and songs for a pair of tribal shoes. These boots are made for walking, babe, and that’s just what they’ll do. One of these days these boots are gonna walk all over you.

2.
Did you know that in 1492 every Indian instantly became an extra in the Great American Western? But wait, I never wondered what happened to Randolph Scott or Tom Mix. The Lone Ranger was never in my vocabulary. On the reservation, when we played Indians and cowboys, all of us little Skins fought on the same side against the cowboys in our minds. We never lost.

3.
Indians never lost their West, so how come I walk into the supermarket and find a dozen cowboy books telling How The West Was Won? Curious, I travel to the world’s largest shopping mall, find the Lost and Found department. “Excuse me,” I say. “I seem to have lost the West. Has anyone turned it in?” The clerk tells me I can find it in the Sears Home Entertainment Department, blasting away on fifty televisions.

4.
On Saturday morning television, the cowboy has fifty bullets in his six-shooter; he never needs to reload. It’s just one more miracle for this country’s heroes.

5.
My heroes have never been cowboys; my heroes carry guns in their minds.

6.
Win their hearts and minds and we win the war. Can you hear that song echo across history? If you give the Indian a cup of coffee with six cubes of sugar, he’ll be your servant. If you give the Indian a cigarette and a book of matches, he’ll be your friend. If you give the Indian a can of commodities, he’ll be your lover. He’ll hold you tight in his arms, cowboy and two-step you outside.

7.
Outside, it’s cold and a confused snow falls in May. I’m watching some western on TBS, colorized, but the story remains the same. Three cowboys string telegraph wire across the plains until they are confronted by the entire Sioux nation. The cowboys, 19th century geniuses, talk the Indians into touching the wire, holding it in their hands and mouths. After a dozen or so have hold of the wire, the cowboys crank the portable generator and electrocute some of the Indians with a European flame and chase the rest of them away, bareback and burned. All these years later, the message tapped across my skin remains the same.

8.
It’s the same old story whispered on the television in every HUD house on the reservation. It’s 500 years of that same screaming song, translated from the American.

9.
Lester Falls Apart found the American dream in a game of Russian Roulette: one bullet and five empty chambers. “It’s Manifest Destiny,” Lester said just before he pulled the trigger five times quick. “I missed,” Lester said just before he reloaded the pistol: one empty chamber and five bullets. “Maybe we should call this Reservation Roulett,” Lester said just before he pulled the trigger once at his temple and five more times as he pointed the pistol toward the sky.

10.
Looking up into the night sky, I asked my brother what he thought God looked like and he said “God probably looks like John Wayne.”

11.
We’ve all killed John Wayne more than once. When we burned the ant pile in our backyard, my brother and I imagined those ants were some cavalry or another. When Brian, that insane Indian boy from across the street, suffocated neighborhood dogs and stuffed their bodies into the reservation high school basement, he must have imagined those dogs were cowboys, come back to break another treaty.

12.
Every frame of the black and white western is a treaty; every scene in this elaborate serial is a promise. But what about the reservation home movies? What about the reservation heroes? I remember this: Down near Bull’s Pasture, Eugene stood on the pavement with a gallon of tequila under his arm. I watched in the rearview mirror as he raised his arm to wave goodbye and dropped the bottle, glass and deams of the weekend shattered. After all these years, that moent is still the saddest of my whole life.

13.
Your whole life can be changed by the smallest pain.

14.
Pain is never added to pain. It multiplies. Arthur, here we are again, you and I, fancydancing through the geometric progression of our dreams. Twenty years ago, we never believed we’d lose. Twenty years ago, television was our way of finding heroes and spirit animals. Twenty years ago, we never knew we’d spend the rest of our lives in the reservation of our minds, never knew we’d stand outside the gates of the Spokane Indian Reservation without a key to let ourselves back inside. From a distance, that familiar song. Is it country and western? Is it the sound of hearts breaking? Every song remains the same here in America, this country of the Big Sky and Manifest Destiny, this country of John Wayne and broken treaties. Arthur, I have no words which can save our lives, no words approaching forgiveness, no words flashed across the screen at the reservation drive-in, no words promising either of us top billing. Extras, Arthur, we’re all extras.

Father Coming Home

Sherman Alexie


THEN
Father coming home from work. Me, waiting on the front steps, watching him walk slowly and carefully, carrying the black metal lunch box with maybe half a sandwich, maybe the last drink of good coffee out of the thermos, maybe the last bit of a dream.

SPOKANE
Father coming home from work five days a week. Me, waiting every day until the day he doesn’t come walking home, because he cut his knee in half with a chainsaw. Me, visiting my father laying in bed in the hospital in Spokane. Both of us, watching the color television until my mother comes from shopping at Goodwill or Salvation Army; until the nurses come in telling us we have to go.

CEREMONIES
Father coming home from the hospital in a wheelchair. Me, waiting for him to stand up and teach me how to shoot free throws. Me, running up to him one day and jumping hard into his lap, forgetting about his knee. Father holding me tight against his chest, dark and muddy, squeezing his pain into my thin ribs, his eyes staying clear.

AFTER
Father coming home from the mailbox, exercising his knee again and again. Me, looking up from the floor as he’s shaking his head because there is no check, no miracles coming in the mail. Father bouncing the basketball, shooting lay-in after lay-in, working the knee until it bleeds along the scars. Father crying from the pain late at night, watching television. Me, pretending to be asleep. All of us listening to canned laughter.

INSOMNIA
Father coming home from another job interview, limping only a little but more than enough to keep hearing no, no, no. Me, eating potatoes again in the kitchen, my mother’s face growing darker and darker by halves. One half still mostly beautiful, still mostly Indian, the other half something all-crazy and all-hungry. Me waking her up in the middle of the night, telling her my stomach is empty. Her throwing me outside in my underwear and locking the door. Me, trying anything to get back in.

HOMECOMING
Father coming home from drinking , after being gone for weeks. Me, following him around all the time. Him, never leaving my sight, going into the bathroom. Me, sitting outside the door, waiting, knocking on the wood every few seconds, asking him Are you there? Are you still there?

NOW
Father coming home finally from a part-time job. Driving a water truck for the BIA. Me, waiting on the front steps, watching him come home early every day. Him, telling my mother when they think I can’t hear, he doesn’t know if he’s strong enough. Father telling mother he was driving the truck down Little Falls Hill, trying to downshift but his knee not strong enough to keep holding the clutch in. Me, holding my breath. Him, driving around the corner on two wheels, tons and tons of water, half-insane. Me, closing my eyes. Him balancing, always ready to fall. Me, holding onto father with all my strength.

At Navajo Monument Valley Tribal School

Sherman Alexie

from the photograph by Skeet McAuley

the football field rises
to meet the mesa. Indian boys
gallop across the grass, against

the beginnings of their body.
On those Saturday afternoons,
unbroken horses gather to watch

their sons growing larger
in the small parts of the world.
Everyone is the quarterback.

There is no thin man in a big hat
writing down all the names
in two columns: winners and losers.

This is the eternal football game,
Indians versus Indians. All the Skins
in the wooden bleachers fancydancing,

stomping red dust straight down
into nothing. Before the game is over,
the eighth-grade girls' track team

comes running, circling the field,
their thin and brown legs echoing
wild horses, wild horses, wild horses.

From The Business of Fancydancing by Sherman Alexie, Hanging Loose Press
© 1992 Sherman Alexie