Otherwise

Jane Kenyon

This is a poem of gratitude about the simple pleasures of life.
Jane Kenyon died several years ago of cancer.


I got out of bed
on two strong legs.
It might have been
otherwise. I ate
cereal, sweet
milk, ripe, flawless
peach. It might
have been otherwise.
I took the dog uphill
to the birch wood.
All morning I did
the work I love.

At noon I lay down
with my mate. It might
have been otherwise.
We ate dinner together
at a table with silver
candlesticks. It might
have been otherwise.
I slept in a bed
in a room with paintings
on the walls, and
planned another day
just like this day.
But one day, I know,
it will be otherwise.

from Otherwise, 1996
Graywolf Press, St. Paul, Minn.

Domestic Work, 1937

Natasha Trethewey


All week she's cleaned
someone else's house,
stared down her own face
in the shine of copper-
bottomed pots, polished
wood, toilets she'd pull
the lid to--that look saying

Let's make a change, girl.

But Sunday mornings are hers--
church clothes starched
and hanging, a record spinning
on the console, the whole house
dancing. She raises the shades,
washes the rooms in light,
buckets of water, Octagon soap.

Cleanliness is next to godliness ...

Windows and doors flung wide,
curtains two-stepping
forward and back, neck bones
bumping in the pot, a choir
of clothes clapping on the line.

Nearer my God to Thee ...

She beats time on the rugs,
blows dust from the broom
like dandelion spores, each one
a wish for something better.

from Domestic Work, 1999
Graywolf Press, St. Paul, Minn.

Wheels

Jim Daniels


My brother kept
in a frame on the wall
pictures of every motorcycle, car, truck:
in his rusted out Impala convertible
wearing his cap and gown
waving
in his yellow Barracuda
with a girl leaning into him
waving
on his Honda 350
waving
on his Honda 750 with the boys
holding a beer
waving
in his first rig
wearing a baseball hat backwards
waving
in his Mercury Montego
getting married
waving
in his black LTD
trying to sell real estate
waving
back to driving trucks
a shiny new rig
waving
on his Harley Sportster
with his wife on the back
waving
his son in a car seat
with his own steering wheel
my brother leaning over him
in an old Ford pickup
and they are
waving
holding a wrench a rag
a hose a shammy
waving.

My brother helmetless
rides off on his Harley
waving
my brother's feet
rarely touch the ground-
waving waving
face pressed to the wind
no camera to save him.

from Places/Everyone, 1985
(University of Wisconsin Press, 1985)

Neglect

R. T. Smith


Is the scent of apple boughs smoking
in the woodstove what I will remember
of the Red Delicious I brought down, ashamed

that I could not convince its limbs to render fruit?
Too much neglect will do that, skew the sap's
passage, blacken leaves, dry the bark and heart.

I should have lopped the dead limbs early
and watched each branch with a goshawk's eye,
patching with medicinal pitch, offering water,

compost and mulch, but I was too enchanted
by pear saplings, flowers and the pasture,
too callow to believe that death's inevitable

for any living being unloved, untended.
What remains is this armload of applewood
now feeding the stove's smolder. Splendor

ripens a final time in the firebox, a scarlet
harvest headed, by dawn, to embers.
Two decades of shade and blossoms - tarts

and cider, bees dazzled by the pollen,
spare elegance in ice - but what goes is gone.
Smoke is all, through this lesson in winter

regret, I've been given to remember.
Smoke, and Red Delicious apples redder
than a passing cardinal's crest or cinders.

from Poetry, Oct-Nov, 2002

George Gray

Edgar Lee Masters


I have studied many times
The marble which was chiseled for me --
A boat with a furled sail at rest in a harbor.
In truth it pictures not my destination
But my life.
For love was offered me and I shrank from its disillusionment;
Sorrow knocked at my door, but I was afraid;
Ambition called to me, but I dreaded the chances.
Yet all the while I hungered for meaning in my life.
And now I know that we must lift the sail
And catch the winds of destiny
Wherever they drive the boat.
To put meaning in one's life may end in madness,
But life without meaning is the torture
Of restlessness and vague desire --
It is a boat longing for the sea and yet afraid.

The Boy Died in My Alley

Gwendolyn Brooks


The Boy died in my alley
Without my Having Known.
Policeman said, next morning,
“Apparently died Alone.”

“You heard a shot?” Policeman said.
Shots I hear and Shots I hear.
I never see the Dead.
The Shot that killed him yes I heard
As I heard the Thousand shots before;
Careening tinnily down the nights
Across my years and arteries.

Policeman pounded on my door.
“Who is it?” “Police!” Policeman yelled.
“A Boy was dying in your alley.
A Boy is dead, and in your alley.
And have you known this Boy before”
I have known this boy before.

I have known this Boy before, who
Ornaments my alley.
I never saw his face at all.
I never saw his future fall.
But I have known this Boy.

I have always heard him deal with death.
I have always heard the shout, the volley.
I have closed my heart-ears late and early.
And I have killed him ever.

I joined the Wild and killed him
With knowledgeable unknowing.
I saw him Crossed. And Seeing, I did not take him down.

He cried not only “Father!”
But “Mother!”
Sister!
Brother.”
The cry climbed up the alley.
It went up to the wind.
It hung upon the heaven
For a long
Stretch-strain of Moment.

The red floor of my alley
Is a special speech to me.

The Exchange

Ron Rash

This is a story-poem about a young man who falls in love at first sight with a girl and is filled with determination to marry her.


Between Wytheville, Virginia
and the North Carolina line,
he meets a wagon headed
where he's been, seated beside
her parents a dark-eyed girl
who grips the reins in her fist,
no more than sixteen, he's guess
as they come closer and she
doesn't look away or blush
but allows his eyes to hold
hers that moment their lives pass.
He rides into Boone at dusk,
stops at an inn where he buys
his supper, a sleepless night
thinking of fallow fields still
miles away, the girl he might
not find the like of again.
When dawn breaks he mounts his roan,
then backtracks, searches three days
hamlets and farms, any smoke
rising above the tree line
before he heads south, toward home,
the French Broad's valley where spring
unclinches the dogwood buds
as he plants the bottomland,
come night by candlelight builds
a butter churn and cradle,
cherry headboard for the bed,
forges a double-eagle
into a wedding ring and then
back to Virginia and spends
five weeks riding and asking
from Elk Creek to Damascas
before he finds the wagon
tethered to the hitching post
of a crossroads store, inside
the girl who smiles as if she'd
known all along his gray eyes
would search until they found her.
She asks one question, his name,
as her eyes study the gold
smoldering there between them,
the offered palm she lightens,
slips the ring on herself so
he knows right then the woman
she will be, bold enough match
for a man rash as his name.

The Hangman

Maurice Ogden


Into our town the hangman came,
smelling of gold and blood and flame.
He paced our bricks with a different air,
and built his frame on the courthouse square.

The scaffold stood by the courthouse side,
only as wide as the door was wide
with a frame as tall, or a little more,
than the capping sill of the courthouse door.

And we wondered whenever we had the time,
Who the criminal? What the crime?
The hangman judged with the yellow twist
of knotted hemp in his busy fist.

And innocent though we were with dread,
we passed those eyes of buckshot lead.
Till one cried, "Hangman, who is he,
for whom you raised the gallows-tree?"

Then a twinkle grew in his buckshot eye
and he gave a riddle instead of reply.
"He who serves me best," said he
"Shall earn the rope on the gallows-tree."

And he stepped down and laid his hand
on a man who came from another land.
And we breathed again, for anothers grief
at the hangmans hand, was our relief.

And the gallows frame on the courthouse lawn
by tomorrow's sun would be struck and gone.
So we gave him way and no one spoke
out of respect for his hangmans cloak.

The next day's sun looked mildly down
on roof and street in our quiet town;
and stark and black in the morning air
the gallows-tree on the courthouse square.

And the hangman stood at his usual stand
with the yellow hemp in his busy hand.
With his buckshot eye and his jaw like a pike,
and his air so knowing and business-like.

And we cried, "Hangman, have you not done,
yesterday with the alien one?"
Then we fell silent and stood amazed.
"Oh, not for him was the gallows raised."

He laughed a laugh as he looked at us,
"Do you think I've gone to all this fuss,
To hang one man? That's the thing I do.
To stretch the rope when the rope is new."

Above our silence a voice cried "Shame!"
and into our midst the hangman came;
to that mans place, "Do you hold," said he,
"With him that was meat for the gallows-tree?"

He laid his hand on that one's arm
and we shrank back in quick alarm.
We gave him way, and no one spoke,
out of fear of the hangmans cloak.

That night we saw with dread surprise
the hangmans scaffold had grown in size.
Fed by the blood beneath the chute,
the gallows-tree had taken root.

Now as wide, or a little more
than the steps that led to the courthouse door.
As tall as the writing, or nearly as tall,
half way up on the courthouse wall.

The third he took, we had all heard tell,
was a usurer..., an infidel.
And "What" said the hangman, "Have you to do
with the gallows-bound..., and he a Jew?"

And we cried out, "Is this one he
who has served you well and faithfully?"
The hangman smiled, "It's a clever scheme
to try the strength of the gallows beam."

The fourth man's dark accusing song
had scratched our comfort hard and long.
"And what concern," he gave us back,
"Have you ... for the doomed and black?"

The fifth, the sixth, and we cried again,
"Hangman, hangman, is this the man?"
"It's a trick", said he, "that we hangman know
for easing the trap when the trap springs slow."

And so we ceased and asked now more
as the hangman tallied his bloody score.
And sun by sun, and night by night
the gallows grew to monstrous height.

The wings of the scaffold opened wide
until they covered the square from side to side.
And the monster cross beam looking down,
cast its shadow across the town.

Then through the town the hangman came
and called through the empy streets...my name.
I looked at the gallows soaring tall
and thought ... there's no one left at all

for hanging ... and so he called to me
to help take down the gallows-tree.
And I went out with right good hope
to the hangmans tree and the hangmans rope.

He smiled at me as I came down
to the courthouse square...through the silent town.
Supple and stretched in his busy hand,
was the yellow twist of hempen strand.

He whistled his tune as he tried the trap
and it sprang down with a ready snap.
Then with a smile of awful command,
He laid his hand upon my hand.

"You tricked me Hangman." I shouted then,
"That your scaffold was built for other men,
and I'm no henchman of yours." I cried.
"You lied to me Hangman, foully lied."

Then a twinkle grew in his buckshot eye,
"Lied to you...tricked you?" He said "Not I...
for I answered straight and told you true.
The scaffold was raised for none but you."

"For who has served more faithfully?
With your coward's hope." said He,
"And where are the others that might have stood
side by your side, in the common good?"

"Dead!" I answered, and amiably
"Murdered," the Hangman corrected me.
"First the alien ... then the Jew.
I did no more than you let me do."

Beneath the beam that blocked the sky
none before stood so alone as I.
The Hangman then strapped me...with no voice there
to cry "Stay!" ... for me in the empty square.

THE BOTTOM LINE: "...I did no more than you let me do."

Lift Your Right Arm

Peter Cherches


Lift your right arm, she said.
I lifted my right arm.
Lift your left arm, she said.
I lifted my left arm. Both of my arms were up.
Put down your right arm, she said.
I put it down.
Put down your left arm, she said.
I did.
Lift your right arm, she said.
I obeyed.
Put down your right arm.
I did.
Lift your left arm.
I lifted it.
Put down your left arm.
I did.
Silence. I stood there, both arms down, waiting for her next command. After a while I got impatient and said, what next.
Now it's your turn to give the orders, she said.
All right, I said. Tell me to lift my right arm.

Not My Business

Niyi Osundare


They picked Akanni up one morning
Beat him soft like clay
And stuffed him down the belly
Of a waiting jeep.
What business of mine is it
So long they don't take the yam
From my savouring mouth?

They came one night
Booted the whole house awake
And dragged Danladi out,
Then off to a lengthy absence.
What business of mine is it
So long they don't take the yam
From my savouring mouth?

Chinwe went to work one day
Only to find her job was gone:
No query, no warning, no probe -
Just one neat sack for a stainless record.
What business of mine is it
So long they don't take the yam
From my savouring mouth?

And then one evening
As I sat down to eat my yam
A knock on the door froze my hungry hand.
The jeep was waiting on my bewildered lawn
Waiting, waiting in its usual silence.

First They Came

Martin Niemöller


First they came for the Communists,
and I didn’t speak up,
because I wasn’t a Communist.

Then they came for the sick,
the so-called incurables,
and I didn't speak up,
because I wasn't mentally ill.

Then they came for the Jews,
and I didn’t speak up,
because I wasn’t a Jew.

Then they came for me,
and by that time
there was no one left
to speak up for me