Showing posts with label Challenging Expectations. Show all posts
Showing posts with label Challenging Expectations. Show all posts

Abandoned Farmhouse - Ted Kooser


He was a big man, says the size of his shoes
on a pile of broken dishes by the house;
a tall man too, says the length of the bed
in an upstairs room; and a good, God-fearing man,
says the Bible with a broken back
on the floor below the window, dusty with sun;
but not a man for farming, say the fields
cluttered with boulders and the leaky barn.

A woman lived with him, says the bedroom wall
papered with lilacs and the kitchen shelves
covered with oilcloth, and they had a child,
says the sandbox made from a tractor tire.
Money was scarce, say the jars of plum preserves
and canned tomatoes sealed in the cellar hole.
And the winters cold, say the rags in the window frames.
It was lonely here, says the narrow country road.

Something went wrong, says the empty house
in the weed-choked yard. Stones in the fields
say he was not a farmer; the still-sealed jars
in the cellar say she left in a nervous haste.
And the child? Its toys are strewn in the yard
like branches after a storm—a rubber cow,
a rusty tractor with a broken plow,
a doll in overalls. Something went wrong, they say.

And the Ghosts - Graham Foust

The Rose that Grew From Concrete

by Tupac Shakur

Did you hear about the rose that grew
from a crack in the concrete?
Proving nature's law is wrong it
learned to walk with out having feet.
Funny it seems, but by keeping its dreams,
it learned to breathe fresh air.
Long live the rose that grew from concrete
when no one else ever cared.

I Have News for You - Tony Hoagland



There are people who do not see a broken playground swing as a symbol of ruined childhood

and there are people who don't interpret the behavior of a fly in a motel room as a mocking representation of their thought process.

There are people who don't walk past an empty swimming pool and think about past pleasures unrecoverable

and then stand there blocking the sidewalk for other pedestrians. I have read about a town somewhere in California where human beings

do not send their sinuous feeder roots deep into the potting soil of others' emotional lives

as if they were greedy six-year-olds sucking the last half-inch of milkshake up through a noisy straw;

and other persons in the Midwest who can kiss without debating the imperialist baggage of heterosexuality.

Do you see that creamy lemon-yellow moon? There are some people, unlike me and you,

who do not yearn after fame or love or quantities of money as unattainable as that moon; thus, they do not later have to waste more time defaming the object of their former ardor.

Or consequently run and crucify themselves in some solitary midnight Starbucks Golgotha.

I have news for you—there are people who get up in the morning and cross a room

and open a window to let the sweet breeze in and let it touch them all over their faces and their bodies.

The Cast


The Cast
BY CAROL LYNN PEARSON

I lost the starring part in Our Town
To Linda, a girl not half as good as me,
Who kept her eyes down
For the whole tryout, and even stuttered.

When the cast was posted
And the high school drama coach
Saw me reading it through my tears,
He put an arm around me and said,
“Now, look—things are not always as they appear.
This is not Broadway;
It’s an educational institution.
We’re here for two reasons—to put on a show,
And, more important, to help people grow.
Someday you’ll see.”

So Linda played Emily,
And she didn’t even stutter.
And I was Third Woman at the Wedding,
Watching and wondering how he knew
What she could really do
If she had the chance.

Since then I have guessed that God,
Being a whole lot smarter
Than my high school drama coach, might be offstage sometimes
With an arm around a questioning cast:
“Now, don’t try to outguess me.
Sometimes the first shall be last
And the last shall be first,
And I’ve got my own reasons.
I need some strong ones to star
And some strong ones to stand back.
And I’m going to put out front
Some you might not choose,
But you’ll see what they can really do
When they have the chance.
Mortality is an educational institution.
We’ve got to put on the show,
And, too, we’ve got to help people grow.”

As I walk through the scenes,
Watch the costumes move,
And listen to the lines
Of the powerful, the weak,
The rich, the poor,
I look at the leads with less awe than most,
And at the spear-carriers with more.

Birth Day

Elise Paschen

This poem expresses a mother's joy at giving birth.
For Alexandra, born May 17, 1999



Armored in red, her voice commands
every corner. Bells gong on squares,
in steeples, answering the prayers.
Bright tulips crown the boulevards.

Pulled from the womb she imitates
that mythic kick from some god's head.
She roars, and we are conquered.
Her legs, set free, combat the air.

Naked warrior: she is our own.
Entire empires are overthrown.

from Birthday Poems: A Celebration, 2002
Thunder's Mouth Press, New York, NY

Dandelion

Julie Lechevsky

My science teacher said
there are no monographs
on the dandelion.
Unlike the Venus fly-trap
or Calopogon pulchellus,
it is not a plant worthy of scrutiny.
It goes on television
between the poison squirt bottles,
during commercial breakaways from Ricki Lake.
But that's how life
parachutes
to my home.
Home,
where they make you do
what you don't want to do.
Moms with Uzis of reproach,
dads with their silencers.
(My parents watch me closely because I am their jewel.)
So no one knows how strong
a dandelion is inside,
how its parts stick together,
bract, involucre, pappus,
how it clings to its fragile self.
There are 188 florets in a bloom,
which might seem a peculiar number,
but there are 188,000 square feet
in the perfectly proportioned Wal-Mart,
which allows for circulation
without getting lost.
I wish I could grow like a dandelion,
from gold to thin white hair,
and be carried on a breeze
to the next yard.

from Poems & Plays, Number 8, Spring/Summer 2001
Middle Tennessee State University

Totally like whatever, you know?

Taylor Mali


In case you hadn't noticed,
it has somehow become uncool
to sound like you know what you're talking about?
Or believe strongly in what you're saying?
Invisible question marks and parenthetical (you know?)'s
have been attaching themselves to the ends of our sentences?
Even when those sentences aren't, like, questions? You know?
Declarative sentences - so-called
because they used to, like, DECLARE things to be true
as opposed to other things which were, like, not -
have been infected by a totally hip
and tragically cool interrogative tone? You know?
Like, don't think I'm uncool just because I've noticed this;
this is just like the word on the street, you know?
It's like what I've heard?
I have nothing personally invested in my own opinions, okay?
I'm just inviting you to join me in my uncertainty?
What has happened to our conviction?
Where are the limbs out on which we once walked?
Have they been, like, chopped down
with the rest of the rain forest?
Or do we have, like, nothing to say?
Has society become so, like, totally . . .
I mean absolutely . . . You know?
That we've just gotten to the point where it's just, like . . .
whatever!
And so actually our disarticulation . . . ness
is just a clever sort of . . . thing
to disguise the fact that we've become
the most aggressively inarticulate generation
to come along since . . .
you know, a long, long time ago!
I entreat you, I implore you, I exhort you,
I challenge you: To speak with conviction.
To say what you believe in a manner that bespeaks
the determination with which you believe it.
Because contrary to the wisdom of the bumper sticker,
it is not enough these days to simply QUESTION AUTHORITY.
You have to speak with it, too.

It Is I Who Must Begin

Vaclav Havel


It is I who must begin.
Once I begin, once I try -
here and now,
right where I am,
not excusing myself
by saying that things
would be easier elsewhere,
without grand speeches and
ostentatious gestures,
but all the more persistently
- to live in harmony
with the "voice of Being," as I
understand it within myself
- as soon as I begin that,
I suddenly discover,
to my surprise, that
I am neither the only one,
nor the first,
nor the most important one
to have set out
upon that road.

Whether all is lost
or not depends entirely on
whether or not I am lost.

Bandaids and Five Dollar Bills

Sharon M. Draper


My students wrote essays for homework this week.
The usual stuff for grade ten.
I asked them to write how they'd change the world
If the changing was left up to them.

His name was Rick Johnson;he was surly and shy.
A student who's always ignored.
He'd slouch in his seat with a Malcolm X cap.
Half-sleep, making sure he looked bored.

His essay was late - just before I went home.
It was wrinkled and scribbled and thin.
I thought to reject it...(Why do teachers do that?)
But I thanked him for turning it in.

"You can't cure the world," his essay began,
"Of the millions of evils and ills,
But to clean up my world so I could survive,
I'd cut bandaids and five dollar bills.

"Now bandaids are beige - says right on the box
'Skin tone' is the color inside.
Whose skin tone? Not mine! Been lookin' for years
For someone with that color hide.

"Cause bandaids show up, looking pasty and pale,
It's hard to pretend they're not there,
When the old man has beat me and I gotta get stitches,
Them bandaids don't cover or care.

"And now, you may ask, why would anyone want
To get rid of five dollar bills?
Cause for just that much cash, a dude's mama can buy
A crack rock, or whiskey, or pills.

"She smokes it or drinks it, and screams at her kids,
Then passes out cold on the floor.
By morn she remembers no pain, just the void,
And her kids wish the world had a door.

"So my magical dream not out of reach,
Like curing cancer or AIDS, or huge ills,
All I ask from my life is a little respect,
And no bandaids or five dollar bills.

New Eyes

Adrienne Jaeger


Shuffling through the crowds –
a sea of shorts and tank tops –
hot sun beating down on a packed Madison Avenue,
I tighten my grip on my sister's hand
and push through the mob.
From behind us stalks a young man,
trailing in back of him a cart.
He flips his head
to wipe unkempt hair out of his face.
Grubby, torn clothes
swallow a frail body.
He curses
as he drops the remnants of a sandwich
and, without a flinch, picks it up
and stuffs his mouth. I look away in disgust.
But as he passes us,
I spy books
scattered through his pile of belongings,
each with a tattered binding
or missing cover,
but every page well loved.
I watch him disappear into swarms of people,
embarrassed that with one look,
I knew everything.
I trudge on
through a sea of shorts and tank tops,
hot sun beating down on a packed Madison Avenue,
looking ahead
with new eyes.

Fat Man

Niall Janney


I catch sight of the man
on route to the mountain's summit.
He carries with him a recycled Coke bottle
secured to a small pack.
But the man also hefts his weight
inside a sweat-stained XXXL red tee shirt.
He's what I call a fat man –
a fat man who doesn't exercise,
a fat man who engulfs food,
a fat man who lives only to become fatter and fatter.
He turns at my approach
then drops his eyes
as they meet the expression in mine.
I pass the fat man swiftly, with disgust,
wondering what could drive him
to attempt the summit.
When I glance back with this question in mind,
my eyes drop to the legend on the red tee shirt:
I'm hiking for the National Cancer Foundation.
I caught sight of the man
on route to the mountain's summit.
He carried with him a recycled Coke bottle
secured to a small pack.
He was heading upward.
He was on a mission.

Choose

Carl Sandburg


The single clenched fist lifted and ready,
Or the open asking hand held out and waiting.
Choose:
For we meet by one or the other.

Tree Frogs

Basher


The tree frog chorus
Wakes me with the rising sun.
Those noisy bastards!