I Have News for You - Tony Hoagland

There are people who do not see a broken playground swing as a symbol of ruined childhood

and there are people who don't interpret the behavior of a fly in a motel room as a mocking representation of their thought process.

There are people who don't walk past an empty swimming pool and think about past pleasures unrecoverable

and then stand there blocking the sidewalk for other pedestrians. I have read about a town somewhere in California where human beings

do not send their sinuous feeder roots deep into the potting soil of others' emotional lives

as if they were greedy six-year-olds sucking the last half-inch of milkshake up through a noisy straw;

and other persons in the Midwest who can kiss without debating the imperialist baggage of heterosexuality.

Do you see that creamy lemon-yellow moon? There are some people, unlike me and you,

who do not yearn after fame or love or quantities of money as unattainable as that moon; thus, they do not later have to waste more time defaming the object of their former ardor.

Or consequently run and crucify themselves in some solitary midnight Starbucks Golgotha.

I have news for you—there are people who get up in the morning and cross a room

and open a window to let the sweet breeze in and let it touch them all over their faces and their bodies.

Hurry

Marie Howe

We stop at the dry cleaners and the grocery store
and the gas station and the green market and
Hurry up, honey, I say, hurry hurry,
as she runs along two or three steps behind me,
her blue jacket unzipped and her socks rolled down
as she likes them.

Where do I want her to hurry to? To her grave?
To mine? Where one day she might stand all grown?

Today, when all the errands are finally done, I say to her
Honey, I’m sorry I keep saying Hurry –
you walk ahead of me. You be the mother.

And Hurry up, she says, over her shoulder, looking
back at me, laughing. Hurry up now darling, she says
hurry, hurry, taking the house keys from my hands.

Bike Ride with Older Boys

Laura Kasischke

The one I didn't go on.

I was thirteen,
and they were older.
I'd met them at the public pool. I must

have given them my number. I'm sure

I'd given them my number,
knowing the girl I was. . .

It was summer. My afternoons
were made of time and vinyl.
My mother worked,
but I had a bike. They wanted

to go for a ride.
Just me and them. I said
okay fine, I'd
meet them at the Stop-n-Go
at four o'clock.
And then I didn't show.

I have been given a little gift—
something sweet
and inexpensive, something
I never worked or asked or said
thank you for, most
days not aware
of what I have been given, or what I missed—

because it's that, too, isn't it?
I never saw those boys again.
I'm not as dumb
as they think I am

but neither am I wise. Perhaps

it is the best
afternoon of my life. Two
cute and older boys
pedaling beside me—respectful, awed. When we

turn down my street, the other girls see me ...

Everything as I imagined it would be.

Or, I am in a vacant field. When I
stand up again, there are bits of glass and gravel
ground into my knees.
I will never love myself again.
Who knew then
that someday I would be

thirty-seven, wiping
crumbs off the kitchen table with a sponge, remembering
them, thinking
of this—

those boys still waiting
outside the Stop-n-Go, smoking
cigarettes, growing older.

from Dance and Disappear, 2002
University of Massachusetts Press, Amherst, MA