Kay Ryan
Who would be a turtle who could help it?
A barely mobile hard roll, a four-oared helmet,
She can ill afford the chances she must take
In rowing toward the grasses that she eats.
Her track is graceless, like dragging
A packing-case places, and almost any slope
Defeats her modest hopes. Even being practical,
She’s often stuck up to the axle on her way
To something edible. With everything optimal,
She skirts the ditch which would convert
Her shell into a serving dish. She lives
Below luck-level, never imagining some lottery
Will change her load of pottery to wings.
Her only levity is patience,
The sport of truly chastened things.
From Flamingo Watching
Copper Beach Press, 1994
Showing posts with label Personification. Show all posts
Showing posts with label Personification. Show all posts
The Moon
Robert Bly
Here, a poet finds a new way to describe a half moon.
After writing poems all day,
I go off to see the moon in the pines.
Far in the woods I sit down against a pine.
The moon has her porches turned to face the light,
But the deep part of her house is in the darkness.
from Eating the Honey of Words, 1999
HarperCollins Publishers, New York, NY
Here, a poet finds a new way to describe a half moon.
After writing poems all day,
I go off to see the moon in the pines.
Far in the woods I sit down against a pine.
The moon has her porches turned to face the light,
But the deep part of her house is in the darkness.
from Eating the Honey of Words, 1999
HarperCollins Publishers, New York, NY
White-Eyes
Mary Oliver

In winter
all the singing is in
the tops of the trees
where the wind-bird
with its white eyes
shoves and pushes
among the branches.
Like any of us
he wants to go to sleep,
but he's restless—
he has an idea,
and slowly it unfolds
from under his beating wings
as long as he stays awake
But his big, round music, after all,
is too breathy to last.
So, it's over.
In the pine-crown
he makes his nest,
he's done all he can.
I don't know the name of this bird,
I only imagine his glittering beak
tucked in a white wing
while the clouds—
which he has summoned
from the north—
which he has taught
to be mild, and silent—
thicken, and begin to fall
into the world below
like stars, or the feathers
of some unimaginable bird
that loves us,
that is asleep now, and silent—
that has turned itself
into snow.

In winter
all the singing is in
the tops of the trees
where the wind-bird
with its white eyes
shoves and pushes
among the branches.
Like any of us
he wants to go to sleep,
but he's restless—
he has an idea,
and slowly it unfolds
from under his beating wings
as long as he stays awake
But his big, round music, after all,
is too breathy to last.
So, it's over.
In the pine-crown
he makes his nest,
he's done all he can.
I don't know the name of this bird,
I only imagine his glittering beak
tucked in a white wing
while the clouds—
which he has summoned
from the north—
which he has taught
to be mild, and silent—
thicken, and begin to fall
into the world below
like stars, or the feathers
of some unimaginable bird
that loves us,
that is asleep now, and silent—
that has turned itself
into snow.
Neglect
R. T. Smith

Is the scent of apple boughs smoking
in the woodstove what I will remember
of the Red Delicious I brought down, ashamed
that I could not convince its limbs to render fruit?
Too much neglect will do that, skew the sap's
passage, blacken leaves, dry the bark and heart.
I should have lopped the dead limbs early
and watched each branch with a goshawk's eye,
patching with medicinal pitch, offering water,
compost and mulch, but I was too enchanted
by pear saplings, flowers and the pasture,
too callow to believe that death's inevitable
for any living being unloved, untended.
What remains is this armload of applewood
now feeding the stove's smolder. Splendor
ripens a final time in the firebox, a scarlet
harvest headed, by dawn, to embers.
Two decades of shade and blossoms - tarts
and cider, bees dazzled by the pollen,
spare elegance in ice - but what goes is gone.
Smoke is all, through this lesson in winter
regret, I've been given to remember.
Smoke, and Red Delicious apples redder
than a passing cardinal's crest or cinders.
from Poetry, Oct-Nov, 2002

Is the scent of apple boughs smoking
in the woodstove what I will remember
of the Red Delicious I brought down, ashamed
that I could not convince its limbs to render fruit?
Too much neglect will do that, skew the sap's
passage, blacken leaves, dry the bark and heart.
I should have lopped the dead limbs early
and watched each branch with a goshawk's eye,
patching with medicinal pitch, offering water,
compost and mulch, but I was too enchanted
by pear saplings, flowers and the pasture,
too callow to believe that death's inevitable
for any living being unloved, untended.
What remains is this armload of applewood
now feeding the stove's smolder. Splendor
ripens a final time in the firebox, a scarlet
harvest headed, by dawn, to embers.
Two decades of shade and blossoms - tarts
and cider, bees dazzled by the pollen,
spare elegance in ice - but what goes is gone.
Smoke is all, through this lesson in winter
regret, I've been given to remember.
Smoke, and Red Delicious apples redder
than a passing cardinal's crest or cinders.
from Poetry, Oct-Nov, 2002
Read Me Aloud
Catherine Killingsworth age: 18 - GA Scholastic Art & Writing Gold Award

I will not sit placidly on your eyes
Skipped and skimmed over ink that dries
Lifelessly on paper and lies
Trapped between sheets when skies
Should be my cage
Your mouth my page.
I want to slip between your teeth
Feel the humid heat
Of breath hissing and
Consonants cutting,
Vowels bleeding flavor onto me.
My sounds lap languidly at your lips
A taste instantly brilliant that slips
Into memory and fits
Perfectly under your tongue
Or behind the tips of your teeth
Or in your lungs.
So if you could I would have you
Just inhale some air and
Read me aloud.
Free me
To sing out
The way it's meant to be,
For I do not live imprisoned in print
But in your ears and sounds and mouth.

I will not sit placidly on your eyes
Skipped and skimmed over ink that dries
Lifelessly on paper and lies
Trapped between sheets when skies
Should be my cage
Your mouth my page.
I want to slip between your teeth
Feel the humid heat
Of breath hissing and
Consonants cutting,
Vowels bleeding flavor onto me.
My sounds lap languidly at your lips
A taste instantly brilliant that slips
Into memory and fits
Perfectly under your tongue
Or behind the tips of your teeth
Or in your lungs.
So if you could I would have you
Just inhale some air and
Read me aloud.
Free me
To sing out
The way it's meant to be,
For I do not live imprisoned in print
But in your ears and sounds and mouth.
Fog
The Snowball Poem
Mirror
by Sylvia Plath

I am silver and exact. I have no preconceptions.
Whatever I see, I swallow immediately.
Just as it is, unmisted by love or dislike
I am not cruel, only truthful –
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is a part of my heart. But it flickers.
Faces and darkness separate us over and over.
Now I am a lake. A woman bends over me.
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.
I am silver and exact. I have no preconceptions.
Whatever I see, I swallow immediately.
Just as it is, unmisted by love or dislike
I am not cruel, only truthful –
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is a part of my heart. But it flickers.
Faces and darkness separate us over and over.
Now I am a lake. A woman bends over me.
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.
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