The Moon

Robert Bly

Here, a poet finds a new way to describe a half moon.

After writing poems all day,
I go off to see the moon in the pines.
Far in the woods I sit down against a pine.
The moon has her porches turned to face the light,
But the deep part of her house is in the darkness.

from Eating the Honey of Words, 1999
HarperCollins Publishers, New York, NY

I’ve Been Known

Denise Duhamel

I've been known
to spread it on thick to shoot off my mouth to get it off my chest
to tell him where
to get off
to stay put to face the music to cut a shine to go under to sell
myself short to play
myself down
to paint the town to fork over to shell out to shoot up to pull a
fast one to go haywire
to take a shine to
to be stuck on to glam it up to vamp it up to get her one better to
eat a little higher
on the hog
to win out to get away with to go to the spot to make a stake to
make a stand to
stand for something to stand up for
to snow under to slip up to go for it to take a stab at it to try out
to go places to play
up to get back at
to size up to stand off to slop over to be solid with to lose my
shirt to get myself off
to get myself off the hook

From Margie/The American Journal of Poetry
Volume 2, 2004

The Voice You Hear When You Read Silently

Thomas Lux

The voice you hear when you read silently
is not silent, it is a speaking-
out-loud voice in your head; it is *spoken*,
a voice is *saying* it
as you read. It's the writer's words,
of course, in a literary sense
his or her "voice" but the sound
of that voice is the sound of *your* voice.
Not the sound your friends know
or the sound of a tape played back
but your voice
caught in the dark cathedral
of your skull, your voice heard
by an internal ear informed by internal abstracts
and what you know by feeling,
having felt. It is your voice
saying, for example, the word "barn"
that the writer wrote
but the "barn" you say
is a barn you know or knew. The voice
in your head, speaking as you read,
never says anything neutrally- some people
hated the barn they knew,
some people love the barn they know
so you hear the word loaded
and a sensory constellation
is lit: horse-gnawed stalls,
hayloft, black heat tape wrapping
a water pipe, a slippery
spilled *chirr* of oats from a split sack,
the bony, filthy haunches of cows...
And "barn" is only a noun- no verb
or subject has entered into the sentence yet!
The voice you hear when you read to yourself
is the clearest voice: you speak it
speaking to you.

For My Daughter

David Ignatow

Here a father speaks to his daughter.

When I die choose a star
and name it after me
that you may know
I have not abandoned
or forgotten you.
You were such a star to me,
following you through birth
and childhood, my hand
in your hand.

When I die
choose a star and name it
after me so that I may shine
down on you, until you join
me in darkness and silence
together.

from Against the Evidence: Selected Poems 1934-1994
Wesleyan University Press, Middletown, Conn.

What I Would Do

Marc Petersen


If my wife were to have an affair,
I would walk to my toolbox in the garage,
Take from it my 12" flathead screwdriver
And my hickory-handle hammer,
The one that helped me build three redwood fences,
And I would hammer out the pins
In all the door hinges in the house,
And I would pull off all the doors
And I would stack them in the backyard.
And I would empty all the sheets from the linen closet,
And especially the flannels we have slept between for
nineteen winters;
And I would empty all the towels, too,
The big heavy white towels she bought on Saturdays at
Target,
And the red bath towels we got for our wedding,
And which we have never used;
And I would unroll the aluminum foil from its box,
And carry all the pots and pans from the cupboards to the
backyard,
And lay this one long sheet of aluminum foil over all our
pots and pans;
And I would dump all the silverware from the drawer
Onto the driveway; and I would push my motorcycle over
And let all its gas leak out,
And I would leave my Jeep running at the curb
Until its tank was empty or its motor blew up,
And I would turn the TV up full-blast and open all the
window;
And I would turn the stereo up full-blast,
With Beethoven's Ninth Symphony on it,
Schiller's "Ode to Joy," really blasting;
And I would strip our bed;
And I would lie on our stripped bed;
And I would see our maple budding out the window.
I would see our maple budding out our window,
The hummingbird feeder hanging from its lowest bough.
And my cat would jump up to see what was the matter
with me.
And I would tell her. Of course, I would tell her.
From her, I hold nothing back.

The Bagel

David Ignatow

This poem reminds us that anyone can feel like a child at times.


I stopped to pick up the bagel
rolling away in the wind,
annoyed with myself
for having dropped it
as if it were a portent.
Faster and faster it rolled,
with me running after it
bent low, gritting my teeth,
and I found myself doubled over
and rolling down the street
head over heels, one complete somersault
after another like a bagel
and strangely happy with myself.

from Against the Evidence: Selected Poems 1934-1994
Wesleyan University Press, Middletown, Conn.

Hamlet Off-Stage: Laertes Cool

D.C. Berry


Laertes has groupies, proof he has taste,
has cool. Wears skate-board clothes: elephant pants,
the crotch snagging his knees, tent-size tee-shirt.
He wants the play staged at a roller rink:
him, Fortinbras, and me wearing in-lines,
the rest in quads. And instead of a duel,
we throw ourselves a roller-derby brawl.
Why not? Do something with a little class
to offset the end's cartoon slaughter house.